Category: News (Page 1 of 2)

Deadline Extension: Proposals for the 2026 International Yeats Society Conference are now due on September 30th

The submission deadline for proposals to the 2026 International Yeats Society conference at The University of St. Thomas, Houston has been extended to September 30th. The conference takes place from December 3 to December 5, 2026.

The organizers invite proposals of no more than 250 words for twenty-minute papers, three-paper panels, or discussion roundtables on the topic of “Yeats’s Locations.” In keeping with the International Yeats Society’s general practice, proposals are invited on other aspects of Yeats’s work as well. Please also include a brief biographical sketch of up to 50 words for each speaker. Proposals should be emailed to irishstudies@stthom.edu with the subject line “IYS Proposal.” The final deadline is September 30th.

We offer a limited number of graduate student bursaries to assist those who could not otherwise afford to attend. These funds are awarded following the deadline for submission. Bursary applications should be submitted via this form:

Bursary Application Form – Fill out form

Houston Conference | Call for Papers

Yeats’s Locations

The 2026 Conference of the International Yeats Society

3 December to 5 December | The University of St. Thomas, Houston

Call for Papers

During his 1920 tour of the US, Yeats gave a lecture on “Friends of my Youth” at Baylor University in Waco, Texas, where he was billed, along with former US President William Howard Taft, as one of the “First Big Guns of the Baylor Diamond Jubilee.” The invitation suggested that Yeats would appeal to anyone keen on “world affairs,” while the student newspaper, The Lariat, promised that this lecture by “the foremost English man of letters now living” would mark “a great day in Baylor history.” The event, however, elicited mixed reviews, with Yeats’s autobiographical reminiscences about the 1890s “tragic generation,” appearing, in the estimation of the local press, “to pass over the heads of most of the audience.” The pre-event hype points explicitly to the varied and often contradictory ways that global audiences located Yeats in place, here as an “English” writer trafficking in “world affairs,” and it points implicitly to how Yeats’s self-presentations of identity and heritage were always changing relative to his actual and imagined audiences. 

The reference to “history” reminds us of Yeats’s ongoing attempts to locate his personal life within and relative to broader historical metanarratives, including for example Ireland’s national history or modernity writ large, and it calls to mind the literary history of Yeats Studies, where important new readings are frequently based on locating Yeats within new contexts, such as the postcolonial, the global, and the oceanic. Finally, Yeats’s retrospective regrets about a lecture that was, itself, a retrospective account of the friends of his youth highlights the complex temporal signatures which persist throughout his writings—his (sometimes strategic) reimaginings of Irish heritage, of historical figures, and of prior eras, his thoroughgoing sense of belatedness, his fascination with moments when a present “self” reckons with a past “self,” and his reliance on autobiographical speakers who gesture toward a future-present of “coming times” when his efforts might be properly understood or might be subject to further misrecognitions. 

“Yeats’s Locations” welcomes papers and panels on all Yeats-related topics, but we are especially interested in those that explore Yeats’s locations in place, history, and time. Topics might include:

    • Yeats’s American lecture tours.

    • Explorations of how Yeats’s contemporaries understood his identity relative to nationhood, heritage, literary eras and cultural movements, religion, or social class.

    • Yeats’s self-presentation for different audiences and / or in different genres (e.g., poetry, drama, autobiography, folklore, criticism, occult writings).

    • Yeats’s historical sensibility, responses to historiography, and productions of history in his writings.  

    • Reception history and perspectives that respond to, build upon, or introduce new contexts for “locating” and analyzing Yeats’s works. 

    • Time and temporality in Yeats’s writings, including how he locates speakers relative to human and / or otherworldly temporalities, as well as the aesthetic effects he generates by combining multiple temporalities in his works. 

Keynote lectures will be given by Dr. Richard Russell of Baylor University and Dr. Julie McCormick Weng of Texas State University. 

The organizers invite proposals of no more than 250 words for twenty-minute papers, three-paper panels, or discussion roundtables on the topic of “Yeats’s Locations.” In keeping with the International Yeats Society’s general practice, proposals are invited on other aspects of Yeats’s work as well. Please also include a brief biographical sketch of up to 50 words for each speaker. Proposals should be emailed to irishstudies@stthom.edu with the subject line “IYS Proposal.” The deadline for early acceptance is June 30th. The final deadline is September 30th.

We offer a limited number of graduate student bursaries to assist those who could not otherwise afford to attend. These funds are awarded following the deadline for submission. Bursary applications should be submitted via this form:

Bursary Application Form – Fill out form

Accommodations

We have secured special discount accommodation rates at the following hotels.

DoubleTree by Hilton Hotel Houston, Greenway Plaza

Booking Link

Rate: $129/night

Reservation Deadline: November 12

Distance: 3 miles from campus (shuttle transport provided)

Hotel Zaza, Museum District

Booking Link

Discount Code: UST745

Rate: $199/night

Reservation Deadline: November 3

Distance: 1 mile from campus

Hotel St. Augustine

Booking Link

Discount Code: 1040614

Rate: $252/night

Distance: 0.3 miles from campus

Now available for pre-order: W. B. Yeats’s Rapallo Notebooks (IYS 9.2, 2025)

Now available for pre-order is the print edition of International Yeats Studies’s issue on W. B. Yeats’s Rapallo Notebooks (IYS 9.2, 2025).

This special edition guides readers through the landscapes of the Rapallo Notebooks, regarding the texts both as significant artifacts and reflections of Yeats’s creative process.

For more details, see the flier below. Additional information coming soon!

The 2025 Conference of the International Yeats Society: Programme Announcement

The provisional programme for the International Yeats Society 2025 conference is now available to view on our website, as well as information on registering for the conference: 
 
 
Please register before 16 October to avail of the lower rate and also to book for the conference dinner. Also note that those presenting at the conference need to be members of the International Yeats Society.
 
 

International Yeats Studies Issue 9.1 Now Available

The International Yeats Society is pleased to announce that issue 9.1 of the International Yeats Studies journal is now available!

The International Yeats Studies is committed to being an open access journal, which means that all of the costs for producing each issue come from our membership. If you are not currently a member of the International Yeats Society, consider joining today!

https://open.clemson.edu/iys/vol9/iss1/1

 

IYS Issue 8.1

The International Yeats Society is pleased to announce that issue 8.1 of the International Yeats Studies journal is now available. You can access it by using the following link:

open.clemson.edu/iys/

The International Yeats Society is committed to being an open access journal, which means that all of the costs for producing each issue come from our membership. If you are not currently a member of the International Yeats Society, consider supporting our mission of fostering academic collaboration across borders by joining today.

The WB Yeats Society of NY’s annual Yeats Poetry Prize is now open for submissions!

The WB Yeats Society of NY’s annual Yeats Poetry Prize is open for submissions through February 1 of the new year. Poems in English on any topic (up to 60 lines each) may be entered by using the following link:

https://Yeats.Submittable.com/submit

The contest is open to anyone, any age, anywhere in the world.

Entry fees: $15 for first poem, $12 for each additional.

First prize $1,000, second $500, and honorable mentions. Winners are recognized at a public event in New York City in April, National Poetry Month. 

The WB Yeats Society of NY offers the yearly competition to honor its namesake and to recognize the valuable contributions poets and poetry make to human consciousness and enlightenment.  Poet January O’Neil will judge the competition, now in its 29th year. Ms. O’Neil also chose the 2024 poems. 

New Release: The Edinburgh Companion to W.B. Yeats and the Arts

Newly available to purchase is The Edinburgh Companion to W. B. Yeats and the Arts, edited by Charles I. Armstrong, Adrian Paterson and Tom Walker.

W. B. Yeats was not only a poet but also a restless collaborator, fostering countless artistic enterprises, from the Abbey Theatre to the Cuala Press, and pursued various inter-artistic media and forums for his work. From childhood co-creations with his siblings to the arresting combination of sound and movement in his final play, The Death of Cuchulain, his work also repeatedly addresses and incorporates music, dance, and the visual, material and theatrical arts with remarkable intensity. For him, literature was a vital thing that engaged, in one form or another, all the senses. This volume’s newly commissioned chapters analyse afresh such engagements. Bringing together scholars of literature, aesthetics, cultural history and specialists in drama, music, dance and the visual arts, they provide a broad range of historical, conceptual, and disciplinary approaches and perspectives.

Use the discount code NEW30 to save 30% off through the link below.

https://www.edinburghuniversitypress.com/book-the-edinburgh-companion-to-w-b-yeats-and-the-arts.html

The Edinburgh Companion to W. B. Yeats and the Arts

The Edinburgh Companion to W. B. Yeats and the Arts, edited by Charles I. Armstrong, Adrian Paterson and Tom Walker – Launch discount code is NEW30 for 30% off.

W. B. Yeats was not only a poet but also a restless collaborator, fostering countless artistic enterprises, from the Abbey Theatre to the Cuala Press, and pursued various inter-artistic media and forums for his work. From childhood co-creations with his siblings to the arresting combination of sound and movement in his final play, The Death of Cuchulain, his work also repeatedly addresses and incorporates music, dance, and the visual, material and theatrical arts with remarkable intensity. For him, literature was a vital thing that engaged, in one form or another, all the senses. This volume’s newly commissioned chapters analyse afresh such engagements. Bringing together scholars of literature, aesthetics, cultural history and specialists in drama, music, dance and the visual arts, they provide a broad range of historical, conceptual, and disciplinary approaches and perspectives.

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