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Houston Conference | Call for Papers

Yeats’s Locations

The 2026 Conference of the International Yeats Society

3 December to 5 December | The University of St. Thomas, Houston

Call for Papers

During his 1920 tour of the US, Yeats gave a lecture on “Friends of my Youth” at Baylor University in Waco, Texas, where he was billed, along with former US President William Howard Taft, as one of the “First Big Guns of the Baylor Diamond Jubilee.” The invitation suggested that Yeats would appeal to anyone keen on “world affairs,” while the student newspaper, The Lariat, promised that this lecture by “the foremost English man of letters now living” would mark “a great day in Baylor history.” The event, however, elicited mixed reviews, with Yeats’s autobiographical reminiscences about the 1890s “tragic generation,” appearing, in the estimation of the local press, “to pass over the heads of most of the audience.” The pre-event hype points explicitly to the varied and often contradictory ways that global audiences located Yeats in place, here as an “English” writer trafficking in “world affairs,” and it points implicitly to how Yeats’s self-presentations of identity and heritage were always changing relative to his actual and imagined audiences. 

The reference to “history” reminds us of Yeats’s ongoing attempts to locate his personal life within and relative to broader historical metanarratives, including for example Ireland’s national history or modernity writ large, and it calls to mind the literary history of Yeats Studies, where important new readings are frequently based on locating Yeats within new contexts, such as the postcolonial, the global, and the oceanic. Finally, Yeats’s retrospective regrets about a lecture that was, itself, a retrospective account of the friends of his youth highlights the complex temporal signatures which persist throughout his writings—his (sometimes strategic) reimaginings of Irish heritage, of historical figures, and of prior eras, his thoroughgoing sense of belatedness, his fascination with moments when a present “self” reckons with a past “self,” and his reliance on autobiographical speakers who gesture toward a future-present of “coming times” when his efforts might be properly understood or might be subject to further misrecognitions. 

“Yeats’s Locations” welcomes papers and panels on all Yeats-related topics, but we are especially interested in those that explore Yeats’s locations in place, history, and time. Topics might include:

    • Yeats’s American lecture tours.

    • Explorations of how Yeats’s contemporaries understood his identity relative to nationhood, heritage, literary eras and cultural movements, religion, or social class.

    • Yeats’s self-presentation for different audiences and / or in different genres (e.g., poetry, drama, autobiography, folklore, criticism, occult writings).

    • Yeats’s historical sensibility, responses to historiography, and productions of history in his writings.  

    • Reception history and perspectives that respond to, build upon, or introduce new contexts for “locating” and analyzing Yeats’s works. 

    • Time and temporality in Yeats’s writings, including how he locates speakers relative to human and / or otherworldly temporalities, as well as the aesthetic effects he generates by combining multiple temporalities in his works. 

Keynote lectures will be given by Dr. Richard Russell of Baylor University and Dr. Julie McCormick Weng of Texas State University. 

The organizers invite proposals of no more than 250 words for twenty-minute papers, three-paper panels, or discussion roundtables on the topic of “Yeats’s Locations.” In keeping with the International Yeats Society’s general practice, proposals are invited on other aspects of Yeats’s work as well. Please also include a brief biographical sketch of up to 50 words for each speaker. Proposals should be emailed to irishstudies@stthom.edu with the subject line “IYS Proposal.” The deadline for early acceptance is June 30th. The final deadline is September 30th.

We offer a limited number of graduate student bursaries to assist those who could not otherwise afford to attend. These funds are awarded following the deadline for submission. Bursary applications should be submitted via this form:

Bursary Application Form – Fill out form

Accommodations

We have secured special discount accommodation rates at the following hotels.

DoubleTree by Hilton Hotel Houston, Greenway Plaza

Booking Link

Rate: $129/night

Reservation Deadline: November 12

Distance: 3 miles from campus (shuttle transport provided)

Hotel Zaza, Museum District

Booking Link

Discount Code: UST745

Rate: $199/night

Reservation Deadline: November 3

Distance: 1 mile from campus

Hotel St. Augustine

Booking Link

Discount Code: 1040614

Rate: $252/night

Distance: 0.3 miles from campus

Now available for purchase: W. B. Yeats’s Rapallo Notebooks – hardcover and paperback editions

The International Yeats Society is excited to announce the hardcover and paperback publication of W. B. Yeats’s Rapallo Notebooks, a special issue of International Yeats Studies, by Wayne Chapman and Neil Mann. 

Please see the flier below for purchasing information. If you are affiliated with a university, please consider asking your library to order a copy.

This special issue is also available digitally (as always, open access) on the journal’s website.

“A Taste of the Yeats Summer School” at the W.B. Yeats Society of NY – Schedule and Registration

Come experience the spirit of the Yeats Summer School in Ireland at this all-day program at the W.B. Yeats Society of NY!

10:15 “Byzantium and Ireland” Prof. Rob Doggett (SUNY Geneseo) postulates that WBY’s “Sailing to Byzantium,” written when he was a senator in the new Irish Free State, aims to create a “unity of culture” for Ireland.

11:30 “Star to Star: a Musical Duet between Poets” In a recording we hear the words of WBY and his friend and fellow Nobel laureate Rabindranath Tagore, accompanied by music and still photos.

12:15 a light lunch.

1:30 “Quotable Yeats–the Foam and the Deep” Joseph Hassett talks about the many Yeats lines that not only capture a thought suitable for a particular life occasion but also open the door to deeper understanding of his poetry.

2:30 “Wandering Stars” A staged reading of a short play by Joseph Hassett that presents a revealing conversation between WBY and James Joyce.

3:30 Social and Summer School reunion, with wine, refreshments and conversation.

At NYU Glucksman Ireland House, 1 Washington Mews, on Fifth Avenue, half block south of 8th Street, just above Washington Square. ​

Make a reservation or find more information by following the link below:

https://www.yeatssociety.nyc/news-and-events

Two Critical Notes on Chinese Elements in Yeats’s Poems by Fu Hao

Recently, Fu Hao, research professor at the Institute of Foreign Literature, Chinese Academy of Social Sciences, published two notes on Chinese elements in Yeats’s poems in Notes and Queries, Volume 69, Issue 1, March 2022 published by Oxford University Press. They are respectively entitled “Who Is the Lord of Chou?” and “Who Is the Queen?” The former points out the errors in the notes and commentaries by Richard J. Finneran, Daniel Albright, A. Norman Jeffares, and others concerning the “Duke of the Chou” mentioned in Yeats’s poem “Vacillation”, and with proper evidence provides the correct answer that the particular Duke of Chou is not the commonly known Duke of Chou, but the senior one, namely, his father King Wen of Chou before he became king. The latter solves the mystery of the identity of the Chinese “queen” mentioned in Yeats’ poem “His Phoenix”, which no one knew before, and concludes from the context that this queen may be probably Wang Qiang (alias Zhaojun), a household name in China.

Links to both articles are listed below:

Who is the Lord of Chou? | Notes and Queries | Oxford Academic (oup.com)

Who is the Queen? | Notes and Queries | Oxford Academic (oup.com)

A Commentary on the Selected Poems of W.B. Yeats with Chinese Translation by Fu Hao

Fu Hao’s new book contains a selection of 89 poems by W. B. Yeats in the original, each accompanied by a Chinese version, and a detailed commentary in Chinese, with intention to provide Chinese readers with an understanding of Yeats’s poems and some knowledge of their backgrounds. Adopting the method of textual analysis to read the works closely, striving for every detail, while finding external evidence from secondary information such as biographies of the poet, memories by family and friends, literary traditions, and historical facts, as well as primary sources such as the poets’ autobiographies, memoirs, diaries, letters, essays, novels, plays, and radio broadcast scripts, this book aims at discovering the authorial intention for every poem concerned, and attempting to “read out” its original meaning rather than read in any imposed significance, rejecting the so-called intentional fallacies. Chinese and Western traditions of exposition and commentation are blended in this book to achieve a balanced effect that may be more acceptable to the Chinese audience. The author has made a few unique discoveries, especially about some poems with Chinese elements in them, and when necessary, he has also pointed out some errors made by Yeats scholars at home and abroad.

AUTHOR INFORMATION
Fu Hao is research professor at the Institute of Foreign Literature, Chinese Academy of Social Sciences, China. He has published over 30 books of poetry, essays, literary criticism and translation, including A Critical Biography of W. B. Yeats (in Chinese) and The Complete Lyrical Poems of W. B. Yeats (into Chinese).

Find the link to his new book here!